★★★★★ 5.0
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La Casa Encendida
The terrace above your head once held the secrets of Madrid's poorest citizens—when this Neo-Mudéjar palace opened in 1913 here on Ronda de Valencia, it was El Monte, a charity pawnshop where desperate people pledged their possessions and were charged no interest at all. Architect Fernando Arbós y Tremanti designed this three-story fortress of tiled domes and geometric Islamic-inspired patterns between 1911 and 1913, never imagining it would become one of Spain's most radical contemporary art spaces. The name itself tells you something surprising—La Casa Encendida, "The Burning House," comes directly from a book of poetry by Luis Rosales Camacho, whose heirs granted permission for its use when the cultural center opened in December 2002. Look upward at those impossible Moorish curves—they're protected monuments, untouched since the building's three-year restoration that began in 1999. Today, that central courtyard where clerks processed loans hosts video installations that challenge your thinking, while the rooftop garden has become sacred ground where the Generaciones competition launches emerging artists' careers every year. You're walking through the fossilized remains of Madrid's banking history into its artistic conscience.
Did You Know?
- :La Casa Encendida was originally built as a pawnshop and bank in 1911–1913, designed by architect Fernando Arbós y Tremantí in the distinctive neo-Mudéjar style, featuring colorful brickwork and a large central courtyard, making it one of Madrid’s most architecturally unique early 20th-century buildings.
- The building’s two side pavilions, now called Torreón I and II, were originally used as airing rooms for clothes stored in the pawnshop, a clever architectural solution to prevent mold and pests in the pre-air-conditioning era.
- La Casa Encendida’s name comes from a book-length poem by Spanish writer Luis Rosales, and the center is known for its avant-garde art exhibitions and support for young artists, including a 2023 exhibition that explored the historical destruction of idols at the Kaaba using sculptures made from burned wood, ceramic, and laser-cut steel.